I use the mute for Cricket Ads
While observing Twenty20 matches I use the remote efficiently. I do not even see the Ads that are new. I have commented in my previous article that Vodafone Ads are a bore. I came to know that in these Ads all characrters are done by kids and ladies and is not an animation.
I was surprised to learn that. A lengthy article on that.
If you want you can see the mail forward to me:
Zoozoo: The new brand ‘endorser’ for Vodafone
No, they aren’t animated characters. They are human beings who were made to
wear body suits. “The design of the characters is such that one gets fooled
into thinking it is animation,” shrugs Rao, which was indeed the very
illusion that had to be created. “In a sense, it is ‘live’ animation!” he
quips, referring to the fact that it was all shot live.
Prakash Varma, ad filmmaker, Nirvana Films, has directed the commercials,
and reveals that the Zoozoos were a big challenge to create. The practical
aspects of how they will move, talk, gesticulate and emote were very
important. Essentially, costume design and artwork were crucial elements.
“It took me three weeks of pre-production to understand how it will work,”
says Varma. There were two fabrics that were considered for the body suits,
and one was rejected for it had too many wrinkles and was shiny. The
wrinkles would have shown when the characters moved, thereby shattering the
illusion of animation. “So we chose the more practical, thicker fabric,”
Varma explains.
The production team divided the outfit into two parts: the body and the
head. The body part of the outfit was stuffed with foam in some places,
while the head was attached separately. To make it look bigger than a human
head, a harder material called Perspex was used, which in turn was stuffed
with foam (with scope for ventilation).
If one wishes to understand the size of this head, here’s a fact: a human
head would typically reach up to the mouth level of this giant Zoozoo head.
“We kept the hands and legs thin, which is why we cast women – and
occasionally children – wearing the costumes,” says Varma. The thin limbs,
contrasted with big bellies and a bulbous head, all add to the illusion that
these creatures are ‘smaller’ than humans. Sets were created to suit the
size of the Zoozoos.
Cinematically, this ‘size’ was a trick: the creatures look smaller than they
actually are on screen, to portray a different world of sorts. For this, the
speed of shooting was altered: Nirvana shot it in a high-speed format to
make them look the size that they do.
Furthermore, simple sets/backdrops were created and spray painted with
neutral Greys – a colour of choice so that attention isn’t diverted from the
main characters. For a supposedly ‘outdoor’ shot, even the shadow of a
Zoozoo was kept ‘live’ and not done in post production: it was painted in a
darker shade of grey on the ground. An even lighting was maintained
throughout.
There was virtually no post production work done.
The films were shot by Nirvana in Cape Town, South Africa, with the help of
a local production house there, called Platypus. Incidentally, the same
combination of people also worked on the ‘Happy to Help’ series last year.
When asked whether Cape Town is fast becoming a tourist spot for Vodafone
and Nirvana, Varma laughs, saying, “Oh no! It’s just that we are very
comfortable with the team there and know what sort of work to expect from
them.”
Nagpal adds here that the production cost had to be minimal for unveiling
such a large number of commercials. “Otherwise, our production costs would
exceed media spends,” he quips.